There’s No Place Like Time
Solo Exhibition at Bell Projects, May 2025
Refs you suck!
18”x24”, watercolor and ink on paper PRINTS HERE!
Commuting Over the Bridge
18”x24”, watercolor and ink on paper
Old Friends
18”x24”, watercolor and ink on paper
Old Friends
18x24”, watercolor and ink on paper 18”x24” PRINTS HERE!
A Favor
18”x24”, watercolor and ink on paper
Snowbirds
16”x20”, watercolor and ink on paper
A Favor
18”x24”, watercolor and ink on paper
Take this Waltz
18”x24”, watercolor and ink on paper
Doing Too Much
22.5”x30”, watercolor and ink on paper
By the Pool
18”x24”, watercolor and ink on paper
Timestamp
18”x24”, watercolor and ink on paper, PRINTS HERE!
This shlak?
18”x24”, watercolor and ink on paper, PRINTS HERE!
August Forever
16”x 20”, watercolor and ink on paper
Fever Dream
18” x 24”, watercolor and ink on paper
Madonna and Child
12”x16”, watercolor and ink on paper
Hearth
18”x24”, watercolor and ink on paper, in collaboration with Morgan Cofer
Hell or High Water
18 x 24”, watercolor and ink on paper
Windows
16”x12”, watercolor, gouache and ink on paper
Artist Statement
The work in this exhibition explores distorted perceptions of time, memory, and aging, all set against the absurd backdrop of modern life…but in a fun way, I promise! The title is borrowed from a post-modern novel by Lance Olsen that masquerades as an exhibition catalogue for a retrospective of work by a fictional artist. Confusing, right? Both the title and the novel itself proceed down a familiar path before pivoting unexpectedly, leaving the reader questioning what’s real and what’s imagined. My work follows a similarly unpredictable path where the characters often begin as archetypes, only to be disrupted and transformed into something unexpected. It’s like you’re watching scenes from a movie playing out in a parallel universe, yet somehow it feels more authentic than reality itself.
My paintings fragment moments–rearranging, layering and interweaving them into new realities that reach beyond my current experience and reflect something truer than linear time. I like to imagine my future self looking back at the present. I also find comfort reflecting on darker times that have already passed. These moments are like emotional time travel, taking the pressure off of the present. I love to explore the the increasingly blurry line between imagination and reality, and how it shapes our perceptions. This curiosity fuels my exploration of universal themes through narrative, texture and pattern. My use of sacred geometry–particularly patterns found in Islamic art–provides a grounding counterbalance to the fluidity of space, time and perception illustrated in my paintings. These structured patterns, observable in the cosmos and the natural world, act as an armature, holding the work together.
This search for balance is something I return to again and again, both in my life and in my work. We live in a time full of contradictions: crisis and comfort, hyperconnection and isolation, too much information and too little clarity. My paintings try to hold all of these dichotomies at once, creating visual harmony from the noise. At its core, this exhibition is about presence and absence–how memory, imagination and the strange elasticity of time shape who we are. It’s an attempt at trying to make sense of life’s beautiful weirdness and if it all feels a little strange, that’s ok. So does being alive.